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Our security cover is intensified with 60 armed commandos always with us wherever we shoot. Kutty's beheaded body is discovered in Nimroz. Says the Taliban is sending in spies on the buses and trucks that ply on that road. The security minister tells us to stop shooting on the Jalalabad road. Got news of an Indian engineer, Kutty being kidnapped by the Taliban. Blasts happen 10 minutes before our cars reach the spot. Two suicide bombers ram their cars into ISAF jeeps on the Jalalabad Road. Armed guards stationed round-the-clock on the hills opposite our hotel. The security minister tells us about a death threat issued for us by the Taliban but promises us unprecedented security. Intelligence has picked up reports of Taliban militants sent to Kabul to attack our cast and crew. "I couldn't turn away from Kabul" he says, adding, "Not even when my cast and crew constantly received death threats from the Taliban." These are nuggets that Kabir jotted in his little diary while filming Kabul Express. He has travelled to Kabul 10 times as a documentary filmmaker and made his first feature film in Afghanistan too. It was not just a location it was a character in my film," says Kabir. "Once I knew I wanted to make Kabul Express, I was certain that the film could only be shot in Afghanistan. One of the most respected names in the acting circuit in Afghanistan, Ghum hosts a television show on Tolo TV, the most popular television channel in the country.
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He lived as a refugee in Iran, occasionally acting in TV dramas, and returned to his country once the Taliban regime ended. Imprisoned for six months, he escaped by selling his house and bribing the police.
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And Hanif Hum Ghum, from Afghanistan, who was captured and severely beaten up by the Taliban for having an acting career. Then there is Salman Shahid, a well-known Pakistani actor, theatre artiste and director. The others include Linda Arsenio, a New York-based actress who has done some independent films in the US. While John Abraham and Arshad Warsi are already commercially successful actors, Kabir has roped in other actors from America, Pakistan and Afghanistan.Ĭhopra says, "To have each person represent their country, and speak in their unique language has made the film look real." Set in post 9/11 war-torn Afghanistan, Kabul Express, feels Kabir, is a drama of people who are otherwise hostile towards each other but are compelled to understand one another in the time that they are forced to share together. So what is the film about? According to the director, it is a story spanning 48 hours, about five individuals linked by hate and fear, but brought together by fate. Somewhere," he adds, "in that small moment lay the seed of the idea of Kabul Express." "That was the moment," says Kabir, "when we saw a dreaded terrorist of one of the most oppressive regimes of the world transform into a sobbing father. The terrorist requested Kabir to let him make a phone call to his home and broke down in tears when he heard his daughter speak on the other side of the phone. The turning point was when the duo went to a remote prison, deep inside the Panjshir valley, in a place called Doab and met 42-year-old Salahuddin Khaled, a terrorist from the Baluchistan province of Pakistan. He and Rajan Kapoor, executive producer, Kabul Express, travelled to the war-ravaged nation to shoot a documentary on the Taliban regime. That the script reached Chopra's desk was courtesy Kabir, a well-known documentary filmmaker. When Kabul Express landed on my desk, I knew I had to make it as quickly as possible." I wanted to come out of my comfort zone of creating popular blockbusters and create a film for the international audience.
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He says, "I felt the urge to do something challenging, something different. What prompted Aditya Chopra to take a break from all the romance and colour of mustard fields, and shift his focus to the dusty bylanes of Kabul? Why did Yash Raj Films, the production house, and maker of countless blockbusters, choose to anchor such a different subject? These characters "" two Indians, one American, one Afghani and one Pakistani "" will encounter bullet-ridden monuments, rusted, worn-out army tanks, vast expanses of mountainous terrain and buildings mercilessly torn down and charred beyond recognition by stray bullets and bombs, in Kabir Khan's directorial film.Īs I begin leafing through the book, Kabul Express: The Experience, designed by Fayyaz Badruddin of Yash Raj Films Design Cell, my head reels with a multitude of questions. In one of the publicity shots in the promotional book of the film Kabul Express, long barbed wires coil dangerously in front of the five main characters, all of whom are looking lost in the dead town of Kabul. Kabir Khan's directorial venture in war-torn Kabul has fascinating behind-the-scenes stories.